amandra, hidden master behind ahrpe records, delivers three new atmospheres. korridor closes the ep with a dreamy vision of the release.

vibe009 is here! on colored balck/orange 12- vinyl, signed by yan cook (planet rithm/delsin) a techno-industrial track that has the essence of this ukranian producer... big kick, ground noises, a 4/4 to break the dancefloor. andre kronert (odd/even) an a2 for the first remix with his analog trade mark. marco faraone retouched this track with a powerfull techno-detriot flavour. great. to close this vinyl on b2 the dub-techno master quantec (echochord). deep techno trip.

anakronik is the brainchild of andrey, one half of the audiotheque duo, who ve been involved in the scene for a while now albeit with discreet output. through anakronik their vision and ideas of timeless, spaceless music, that just is, will be revealed, starting off with their own, purpose-named, genesis debut single. the original version will see you through a mellow, heartfelt journey spanning the entire first side of the record. warm and discreet yet mufti-dimensional in it s drive and commitment, it s surely going to be a delight to dance to on any floor. the flip-side sees master of groove and mystery cristi cons doing what he does best, re imagining the original into a rolling sensual experience that will surely excite your senses and dancing feet throughout it s duration.

sgr is a series of re-issues of the best of aubreys productions on the three labels he produced from 1991 to 2002: solid groove records / textures records / dark records
in addition of carefully re-masted versions of those classics each ep will feature an unreleased track from this time period. sgr 1 features two tracks from the solid groove 12 – spanky rogers ep aka (aubrey) originally releases in 1997. the a2 track is re-master from the under looked dark techno series: dark 1, originally releases in 2001 and finally b2 is an unreleased track with the self-explaining name *unreleased 1* originally recorded in 1997.

amazing 4 tracks from the master himself kenny dixon jr... small amount , be fast

‘psych , the long-awaited freaks album released in 2014 gets a re-release in 2015 with some brand new remixes. freaks, a musical partnership between luke solomon and justin harris that s spanned twenty years and includes the music for freaks label, four albums, and an avalanche of singles on the likes of playhouse and hot creations to crosstown rebels, news and international deejay gigolos. the album was released to rave reviews and featured a much awaited gathering of material from the late 00s onwards, including collaborations with robert owens, stella attar and diz washington. this 12- includes interpretations from dave aju, jamie 3:26 and freaks. for over a decade, san francisco innovator and a vital part of circus company, dave aju has been producing and performing his unique brand of electronic dance music, a consistently fresh and expressive sound. his remix of situations makes no exception, a strong piece of jacking house music with bubbling sub bass, strong raw percussive beats, and an effective use of diz vocals and the flute sound. on the b side misfits is reworked by chicago s master jamie 3:26 who turns the tune into an acid house monster and by freaks themselves who extend their original version for dance floor action. a strong package…and more to come !

composer, improviser, and buchla music easel master charles cohen returns to morphine with a suite of new material.

amsterdams house music master of insanity steps up to the mic to deliver some lust inspired poetry. old school chords and a groove worthy of a nyc shelter ep crafted with san by two cynosure regulars… mike shannon and andrea fiorito. an instant party classic.

the mighty geena is back on antinote with a new ep filled with deepest psychedelic goodness and spaced surprises. comes housed in a glorious printed sleeve! tip! side a starts with -tone loc- a heavy geenafied future classic, complete with signature celestial pan pipes and a deeper than deep bassline, together building in intensity with muted distant vocals adding to the sweet heady confusion. the next track -minus jam- is on a similar path of ecstatic disorientation, with spinning delayed glass toms supervised by the darkest dictatorial bass line confirming geena is a master of light and dark. side 2 continues with -box of exotica- where we are sent to a dreamy post blade runner musical world of traditional and futuristic collision augmented with beautiful and equally dark japanese stick music vocals. the last track -green resident- also walks the cosmic path found throughout this gorgeous ep, softer at first than the others, but the silky darkness soon seeps in bringing cosmic order to geenaland.

nsdos is back with some new toys from outer space - on this ep we hear six figments of his twisted imagination, caught live .... on this very dense and captivating ep, kirikoo des goes back to the 90 s with some cut up electronica flair (-christine +2-, -dona j haraway-) reminiscing oval s work or some experimental shake shakir tunes. the longest tracks though feels closer to a club from the future with some eerie pads (-fa-) and liquid rhythms patterns typical of the nsdos touch we love (-yuko-). overall this ep is a much cerebral effort and yet still keeps a vibrant and gorgeous organic side to it. demanding the full attention of the listener, the reward in the end is a total bliss taking us in a deep dimension. -space is the place- as the master sun ra once said

002 of the analoq musik vinyl only imprint comes from up and coming producer jerome.c with two flawless remixes from stuart hawkins and max j & coockies to complete the ep. first supported by fuse head honcho enzo siragusa @ tini & the gang - these dance floor filling tracks have gone on to be supported across the globe by some of the industries biggest names. effortless grooves, intricate percussion, housey synths and catchy vocals - these tracks are simple master pieces set to take many more dance floors this spring/summer by storm

another clone classic cuts re-issue of super obscure mike dunn tracks!three brilliant acid house tracks>so let it be house>,>grooving< and >life goes on<.three master pieces which have been out of print since their year of release(1988!).19 years after their initial release date on westbrook records we are happy to have this almost forgotten piece of house music history available again.

fresh from 1986, all time garage-house-afro crossover classic... absolutely timeless house anthem! need we say more? *ma foom bey* is one of those records, totally flawless, big in the dance everytime. stripped back drum machines, that cavernous, instantly recognizable bass-line & those chants, killing sound-systems stone dead! as we said before, dropped on easy street in 86, edited by the legendary tony humphries & subsequently caned by 3 generations of dj s across the galaxy ever since. every home should have a copy of this, no collection is complete without it. a record that will never go out of style & will always provoke some buckwild reactions on any dance-floor it is dropped on! shout out to easy street, %100 legit re-issue, re-master & re-press, essential wax!

two slices of brilliant brazilian disco, painel de controle have a few bangers across their rca lps, these two being my favourites. *relax* is a straight up boogie monster, well known to deep disco & boogie heads flipped with *malandrinh* with its insanely catchy guitar. the original brazilian *relax* 7 inch plays at 33rpm (like many brazilian 45s), if you know you are cutting you will know this is not ideal. our new 7 inch is 45rpm and cut from a super crisp new master from the tapes at timmon cutting labs, sounds about 5x better than the o.g. ... simple choice.

the long-awaited fourth release from the label - minim.all. on vinyl, a great master of the atom & eev is a project by someone else and alex monster (of reflux). with remixes from musical super heroes - butane (alphahouse), benjamin fehr (catenaccio), medeew & chicks luv us (moan) ...

the title track is a monstrous cut designed to get floors sweaty. with its futuristic synth smears, blasts of white noise and slick rubbery beats it is impossible to ignore. full of atmosphere and some ghoulish voices, it s a fine affair from this italian master. the malandra jr remix is even more tense, with industrial machine sounds zipping and fizzing about in a progressive groove, whilst martin patino deconstructs the whole thing and re-builds it as a jazzy minimal affair with sick chords, smears of colourful light and plenty of charisma. lastly, eddy romero & frink go for a dark, dubby, stripped back number that will please the real heads out there.

dj support: carl craig, ame, raresh & more....
here comes the solo record from the label honcho.it has been a while ago since gilb r hasn t release on his name on a 12 inch. busy with the label and the chateau flight project(together with i:cube) he finally got back in the versatile basement to deliver 2 deep cuts.while -master of the illusions- is more house orientated,approaching kether is more an intropective ambient proposal

rawax proudly welcomes the godfather of ghetto houz muzik rickey houz mon white to the rawax family! houz mon cousin is the famous lil louis & cei bei what words can describe the one and only houz mon? pioneer? party rocker? ghetto houz icon? lets start at the beginning houz mon grew up on the west side of chicago where he was exposed at an early age to chicago, new york & detroit dance music. befor houzmon, or rickkiqhouz was born i went by the name slick master rick in 1987 sign my first record deal with dj international records. the name of my trax brothers and sisters house on 13th street! aka halloween house this trax lunched the foundation and planted the seed of ghetto houz.

we are pleased as punch to welcome guillaume & the coutu dumonts for his freerange debut with the revolution in the cycles ep. the plucky canadian via berlin producer will be well known to most of you through his releases on labels such as circus company, oslo and raum musik or maybe you witnessed the master at work crafting one of his amazing live sets. either way, you’ll know how he likes it, mixing up his deep understanding of rhythm from his years spent playing drums with the unquestioned groove of house and hypnotic beauty of techno. the result is a unique, slightly wonky brand of off kilter house which is perfectly summed up here on this three track ep.

an amazing dub techno classics compilation of the icelandic master thor (sanasol, oz artists)! essential!! ( 3x12, gatefold, vinyl only)

another slamming rarity from the misty, heady days of the earliest 1990s, coming out of chicagos underground on steve poindexters cult chicago bad boys imprint power move pulls no punches! if you dig that demented, raw, about to come off the tracks chicago ghetto style house then ricky smith is your man! this is a truly rare ep & now it is back again, with a full re-issue complete with all original chicago bad boys artwork & a full re-master!

master londons joseph russel signs for funkdriven quirky chicago techno but a 1, drums of lagos, stands out of many. what starts like a sturdy minimalist drum and snare pattern monotrack turns inti a discotech monster all at once and seemingly oout of almost nowhere. and once the surprise swingbreak of the track gets you hooked there no stopping.

italian imprints heko records starts the game with a young home talent giammarco orsini that delivers 2 brilliant tracks full of grooves and two remixes signed by the house master transitive elements and the french half baked s resident robin ordell. this first edition is limited to 300 copies and won t be able for digital release!

attention please, w’d like to shine a light on the man whose records would come to define many a numbers party, who once described his music as for the strippers, for the street. the original master of ghetto house, the one and only dj deeon.

one of the most important work of japanese deep house master kuniyuki is finally repressed! earth beats have been supported by a lot of djs and licensed for lucianos sci.fi.hi.fi mix cd. this track have been remixed by henrik schwarz, larry heard, roman flugel, chateau flight, magazine. earth beats have been a future classic by the time it has been released. dont miss the last chance to get the release on vinyl!

amazing 3 cult tracks from the master of edits todd terje. a must have

neuauflage sämtlicher broadcast studioalben mit bedruckten innentaschen und downloadcodes. parallel werden auch alle cd-formate wieder erhältlich gemacht. broadcast begeistern mit einer einzigartigen mixtur aus 60s pop, easy listening, psychedelia, 70s soundtracks & velvet underground. bei the future crayon handelt es sich um eine kollektion aus insgesamt achtzehn broadcast ep- und compilationtracks (2006).

lucky you! the universe must love you dearly because you are about to experience the various artists series from the fantastic ursl records. this record is jam packed with only the best tracks from all-time - past, present and future! original hits from original stars! play this record at any party anytime and you will be the undisputed hero of the night, a true master of ceremony. simply place the needle to the record and watch as the boys and girls instantly transform into crazy party monsters, smiling from ear to ear, exploding with love and and funk on your dance floor. each one of these body-rocking ursl superhits have been played by super famous superstars on dance floors across the galaxy and throughout the entire dimension of time to devastating effect. so grab this red hot compilation of solid-gold chart-topping ursl superhits today. it s guaranteed fresh to infinity and beyond, yeah! enjoy.

veteran nyc synth master gavin russom joins l.i.e.s. with an outstanding three track ep. ... epic, tense, and driving russom goes for the throat crafting beautifully produced functional club tracks that teeter on the edge of the deepest psychedelic realm. with hints of many different electronic strains creeping into his productions, we get the full specturm and see this talented producer doing some of his best work in recent times, the hidden gem being the b-side s closing track, the telstar file.

rawax welcomes mr. rick wade back on housewax! the detroit master delivers again 4 great tracks for our sublabel.

yet another classic master reese production from the vaults. this time from way back in 1991. -speaker punishing- was a stone cold detroit killer that crossed over here in the uk and european rave scenes due to it s break-beat laden hardcore appeal, string quartet samples and incessant bass-line while it s flip-side -feel the mood- carries that after hours detroit vibe over two different mixes (ably mixed by the legendary marty bonds) and still sounds amazingly fresh and current today some 20+ years later. both tracks are essential weapons to have in one s dj bag and display what a versatile producer kevin saunderson is with two totally different energies sharing the same slab of wax. re-mastered, re-pressed and re-released for 2015 with all original incognito label artwork with the full consent of kevin -master reese- saunderson, detroit mi. essential!

a collaboration between elias landberg and nihad tule. they started this conceptual project in november 2014 with the goal of record and master a complete ep in one day. the resulting analog jams are pretty different from each other. the a-side terrorfish is reminiscent of simplistic acid rave tunes from the 90s while the b-side halcyon is a dreamy ambient trip

entitled narita, the release is inspired by, and dedicated to, japan, and the tracks are a collage of all the experiences and emotions the producer has picked up there whilst on his travels. this release was also due to be the 44th on the label (which has now made it up to number 67) and so has clearly been cooking for a long time. once again it proves the man behind it to be focused on stripped back and hypnotic grooves, shadowy textures and subliminal synths that are abstract and truly heady. up first, sleepless is a spooky and hypnotic techno roller with icy pads and rubber drums that roll on like a haunted midnight train burrowning deep into your brain. ebisu is even more reserved, with just a light, skipping kick and tinkling, glassy keys suspending you in a wide open space of abstract atmospheric soun d. on th e flip side, mountain splitter is more urgent and immediate, with nervy pads this time racing alongside woodpecker precision and supple drums. it s heady stuff that really distracts you from the world before finally trance is a wash of grainy white noise and groaning synths that soundtrack a word deep down in the depths of the ocean. svreca is a master of getting deep inside both body and brain and does so in different but captivating ways with all four of these cuts.

great disco edits!! <br > amazing 3 cult tracks from the master of edits todd terje. a must have

a1: -deep roads- the idea of perfection has never been so close. with its persistent succession of drums and embracing bassline the first track of the ep kicks in with analog pure sounds. a2: -got me- it is recorded with maria bergson on vocal. 100% pure sexy club banger. b1: -what u want- alex calls den on board to create something extraordinary. the result is a creature that will take your body and shake it all night long. drums and bass recorded live, analog. b2: -got me- (rick wade remix) nothing better than an exotic and tribal version of got me by the master of house mr. rick wade.

rothmans are back and back in the squad is brooklyn beat master aimes

unreleased house/techno tracks recorded between 88-91 from the chicago master mike dunn. i wanna b house comes with an edit from johnny aux as well as another straight up acid track im the houze.

mit seiner band junip veröffentlichte er zwei großartige werke, arbeitete am soundtrack zu the secret life of walter mitty mit und steuerte gerade erst seine version von how we walk on the moon zu master mix: red hot + arthur russell bei. vestiges & claws wurde fast komplett von josé gonzález in eigenregie aufgenommen und produziert. zuhause in göteborg nutze er eigentlich nur computer plug-ins, um die songs aufzunehmen und dadurch einen warmen, analogen sound zu erzeugen. musikalisch führt das album das fort, was die beiden vorgänger schon angefangen haben: gedämpft und feinfühlig wirken die lieder, die die wunderbare stimme gonzález und sein verschachteltes gitarrenspiel in den vordergrund setzen ohne dabei besonders laut oder bombastisch sein zu müssen.

the second vinyl release to be taken from thema’s strength in numbers compilation finds the brooklyn label drawing on four master craftsmen of subliminal house music with equal amounts of soul and surprise in their arsenal. stealthy operator earl stine delivers get the curb, which balances the perfect amount of percussive energy and dreamlike synths, impeccably demonstrating the considerable body of work he has turned out under a more familiar name for smallville records, mule musiq and pampa in the past. pressing on transparent vinyl.

the master of creations jodey kendrick comes back on weme records with a double album. he explores the ocean bank of a trip-hop drums which has merged with an hardwave grime. the descent is sublime. flawless once again for j.k. limited 300

opening up with the deep space atmospherics of quiet life the album immediately transports you to another world. the title track is then a melodically lush and uplifting affair with curious synth patterns ebbing and flowing beneath crisp percussion. tracks like we search for answers combine organic, wooden textures with more synthetic and trippy synth sounds that are as far away from your standard sample packs as can be imagined. across the course of the album there are dark, moody and emotive pieces like worship (previously released in extended form on the mdl02 single) featuring qzen who reads a poem by patience agbabi in tantalising fashion as well as heavyweight, dubbed out techno groovers like shadow theory. make it true (of which seth troxler will be releasing an extended edit on his play it say it label, complete with high profile remixes) is another great collab featuring the vocals of jojo de freq, and the track itself is a harmonious, radiant house jam that is humid and human in equal measure. the otherworldly, snaking feel free again showcases berkson & what s ability to coax alluring emotions out of their machines and closer logan five wraps things up in suitably spangled, textural fashion. despite the fact much of this album will work on a dancefloor in the hands of the right dj, there s an invention and musicality to it that renders the whole thing hugely listenable away from the club. a testament to berkson & what s analogue invention and fluid ideas, keep up appearances really is a master electronic oeuvre.

*jingo* is an all-time classic dance record, sampled, edited, re-configured and coveted by too many names to mention! it’s a killer funky disco version of master nigerian drummer olatunjis 1969 percussion suite of the same name, salsoul style, while over on the flip we have one of the deepest disco records of all time, *thousand finger man* a testament to candidos percussion prowess and a spacey, beautiful voyage that has left more than an indelible mark on modern house music, often being cited as a huge influence by artists such as masters at work and more. essential stuff basically, every collection should have a copy! this 12 inch has got to be one of the toughest salsoul records to find. changing hands for up to £300 a time for a used copy. now it has been re-mastered, re-pressed and made available again with all original label artwork intact with the permission of salsoul records, new york city.

strut return to the archives of seminal chicago house label dance mania in january 2015 for dance mania: ghetto madness. the follow-up to strut’s acclaimed dance mania label retrospective hardcore traxx from early 2014, this new instalment places the spotlight on the raw, stripped back, hyper bpms of ghetto house and the rise of the movements fresh generation of stars during the mid90s including dj deeon, dj funk, jammin gerald and dj milton. the 180 gram double vinyl comes in gatefold sleeve, including cd.

vinyl only !! this is points 004 by dona with the detroit master anthony shake shakir and the quality techno boys hiver.

paper disco are back on vinyl ahead of their forthcoming trash the wax vol. 2 and two totally exclusive tracks. leon sweet launches things with sunny bigler that has a moroder style bass and plaintive male vocal designed to make grown men cry on dance floors. italian master blaster shares the same side rocking his trademark edit chops with games whch will only be seeing the light of day on this wax. turn it over and yam who makes an appearance with natasha watts and paper tea boy chris massey on remix duties. its floor heavy 4/4 disco with modern production and dynamics that will slot in to any discerning box. the second exclusive comes from oslo young bucks de fantastiske to who offer up a more house take on disco. gimme sum dim sum has a shuffling backbeat, lush keys and chords to give it an organic garage feel that tips a wink to the best that new york has to offer.

the index expands into its fourth chapter with a rich collection of tracks from key label artists marcel fengler, thomas hessler, echoplex and vril. label co-ordinator marcel fengler drops scion on the a1, a non-typical, deeper house-influenced jam with a floating, mind-melting soft-focus. abstract, crafty techno meets classic sunday-afternoon vibes in this unique offering. after his wonderful 4-tracker on imf003 promising talent thomas hessler continues his run with the melodic and stark journey track, the escaper. what is initially shrouded in mystery and melancholy opens up into a funky, us vs. uk-styled workout, snapping snares and reduced percussion driving the meandering synth theme. echoplex, who graced imf002, also returns with a suitably trippy and percussive number, entitled the relapse. building into a bleepy, freaky, acidic killer, complete with some cleverly deployed rave vocal samples, filtering in and out of the fluffy aesthetic, the long-serving polish master is still on top form. going for impact and stand-out sound design, vril offers thronwagen, a mesmerising arrangement of synth layers, classic techno stabs and overlapping themes. already well-known for his powerful drums and bottom end control, this more musical piece goes a long way to showcase some of the german producers many other talents.

mortem returns! one of demands keyartists graces us with two brand new cuts midnight analogs and y.o.u. for our 24th release. the young polish drum & bass producer has been busy in the last 1.5 years finishing various production projects and latetly got back into the studio to finish off this stellar single. after the success of his last single bring it down / malfunction in summer 2013, mortem once again proofs that hes a master of basslines. while midnight analogs is a hard hitting dancefloor track with trademark subtile soul vocals, y.o.u. is more of a deeper afair. a track that builds up slowly to turn into a minimal bass roller. naughty!

when puppets turn to face the puppet master, the air reeks of triumph and catastrophe. for a price, i could make it go away. for a price, i could steer their hearts your way.